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Torchlight 2.2 for Mac is available as a free download on our application library. You’ll also gather epic gear along your journey that you can customize to work with your hero’s unique make-up. With four unique classes to choose from and five available Relic subclasses, there are many different ways to build your hero and maximize your damage. Whether it’s armor, weapons, or even new pets.there’s always more to find as you battle through dungeons and take on dangerous foes. Gather your wits and brave the frontier to find fame, glory, and a new adventure!īrave the vast wilderness of Novastraia and all of its dangers either alone or with a group of friends! In Torchlight III, Novastraia is again under threat of invasion and it’s up to you to defend against the Netherim and its allies.
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Mac Pro 12 Core 3.It’s been centuries since the events of Torchlight II, and the Ember Empire is in decline.
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Tama Studio Brass Snare 6.5x14 w/ 42 strand wires

Tama Studio Maple Snare w/ wood hoops 6x14 Feel free to contact me directly to talk about your project.īlack Lion Audio Seventeen dual parallel compressorsįender Custom Shop Strat Alder w/ Rosewood neck, 50’s humbucker w/ 69’ single coilsįender Custom Shop Strat Alder w/ Maple neck, Pearly Gates humbucker w/ noiseless single coilsīickle 50 watt Custom Built Alexander Howard Dumble Clone If it's starting to sound like your recordings are in good hands, that's because they are. Last and not least, there's certainly something to be said for the master recording that can be listened to on repeat, non-stop and will never cause your ears to fatigue. It's also OK if you want your master to "pop" sonically with all the metaphoric bells and whistles that shimmer and sparkle in some of the most popular recordings. It's not wrong to want the loudest possible version of your recording, should your music have to be heard in sequence with other loud material. What I can guarantee is a solid communication and understanding of the clients intention for their masters. That's a great win for the audio industry in my view, but we still have vast differences in EQ and also dynamic range from decade to decade, even year to year, many times depending on the genre of music and other variables. We're only just beginning to arrive at a moment when streaming platforms are adjusting loudness to make all sorts of music more fluidly enjoyable.
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To explain this, I would suggest we all think about the drastic difference in EQ and Loudness (for starters) when we listen to professional recordings of each decade. It's important to choose a mastering engineer who's fully aware and always considerate of the extremely diverse period of time we're living in, as pertaining to audio. One other project I did recently included members of CKY, Municipal Waste, Obituary and other popular heavy bands.
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My work led the band Deep Tissue to their first full length record deal this summer. Some cool things I've done most recently would be mastering a full length album for the band Swift Technique, mixed by grammy winning Phil Nicolo. Types of music that I master include Pop, Rock, Metal, Orchestral, R&B, Hip Hop, EDM, Punk, Funk, Indie etc. I have 17yrs experience and a professionally sound abated studio specifically designed for intensive listening, running a Pro Tools HDX system and all the highest regarded software/plugins in hybrid with tons of top tier analog outboard (Neve, Dangerous, Summit, UA, API etc.)įor monitoring I rely most heavily on my Focal Twin 6's w/sub but I check every master on Event 20/20's, a Bose speaker, Sennheiser & Avantone headphones, and finally apple ear buds. Unlike most mastering engineers I do a car check as well, before sending to clients.

Welcome to my mastering service page, let's dive right in.
